Free Track

“Certified” feat. Bahamadia, Invincible, and Finale

Illvibe Collective. Photo illustration by MundoVibe.

Illvibe Collective is a DJ and production team hailing from Philadelphia, PA. With combined experience dating back to the late 80′s, the DJ collective has developed a unique yet traditionally-rooted taste in music. By playing gigs, touring with performance artists of all musical styles, and running consistent online radio shows, their DJ footprint reaches clubs, concert venues, festivals, and the internet in all parts of the world.

The Illvibe style is rooted in Hip Hop yet draws from a variety of genre’s including Funk, Soul, Broken Beat, Electro, House, Rock, Afrobeat, and Bossa Nova to create a progressive musical mosaic. With a strong respect among artists and party-goers alike, the Illvibe Collective brings styles upon styles to the eardrums of all who have a love and appreciation for the language of music.

[youtube=http://www.youtube.com/watch?v=-5qB1wDGNRM]

FILM MANIPULATIONS BY BRIAN ENO / NICK ROBERTSON AS UNSOUND FESTIVAL NEW YORK JOINS FORCES WITH SACRUM PROFANUM FOR A STUNNING OPENING NIGHT WEDNESDAY, APRIL 6th AT ALICE TULLY HALL, LINCOLN CENTER, NEW YORK

Ben Frost – Music for SolarisWHEN: WEDNESDAY APRIL 6th 2011
WHAT: UNSOUND FESTIVAL NEW YORK: OPENING NIGHT
PRESENTED BY: Unsound Festival New York / Sacrum Profanum / The Adam Mickiewicz institute / Krakow Festival Office

ARTISTS:Music for SOLARIS (North American Debut) performed by BEN FROST (Iceland / Australia), DANÍEL BJARNASON (Iceland), SINFONIETTA CRACOVIA (Poland) with film manipulations from BRIAN ENO / NICK ROBERTSON (UK)

KRZYSZTOF PENDERECKI (Poland) Performed by SINFONIETTA CRACOVIA (Poland)

STEVE REICH (USA) performed by SINFONIETTA CRACOVIA (Poland)

WHERE: Alice Tully Hall Lincoln Center for the Performing Arts, 1941 Broadway, New York, NY Box Office – 212.671.4050
TIME:
20:00
PRICE:
$20-$30

UNSOUND FESTIVAL NEW YORK returns to for a second year with its biggest concert to date ‐ a stunning opening night at Lincoln Center’s Alice Tully Hall presenting the North American debut of an Unsound commissioned piece “We Don’t Need Other Worlds – We need Mirrors” – “Music for SOLARIS” featuring BEN FROST, DANÍEL BJARNASON and SINFONIETTA CRACOVIA with film manipulations from BRIAN ENO / NICK ROBERTSON alongside the music of STEVE REICH and KRZYSZTOF PENDERECKI performed by SINFONIETTA CRACOVIA.

Daniel Bjarnason

Les Nubians, consisting of Paris-born sisters Hélène and Célia Faussart, return to the world stage with the release of their third album, Nü Revolution, on April 19th via Shanachie Entertainment.


The Grammy nominated duo fully delivers on the promise of their breakthrough efforts with a relentlessly enchanting and energized mix of R&B, hip-hop, African music and other world elements.

[soundcloud url=”http://api.soundcloud.com/tracks/8539341″]

“The main difference between this album and the others,” muses Hélène, “is that Nü Revolution is more uptempo. This album is a celebration of life! We wanted to bring and spread this energy, this joy in a time of uncertainty.”

Indeed Nü Revolution may be the most impressive representation of Les Nubians’ Afropean Soul to date. Featuring special guests ranging from African music legend Manu Dibango, whose “Soul Makossa” crossover classic gets a politically charged make-over, to indie soul icon Eric Roberson, with South African pop stars Freshly Ground, Ghanian-American MC Blitz The Ambassador and Polish MC John Banzaï along for the ride. Somehow, Les Nubians manage to make the blend of so many diverse elements seem logical and organic; it flows quite naturally from their multicultural lives.

With a lightning-fast mind, the political boldness of Chuck D, and the sixth groove sense of Fela Kuti, the Ghanaian-born, New York-based MC, composer, and producer Blitz the Ambassador unleashes psychedelic Afrobeat colors and triple-time rhymes on Native Sun (Embassy MVMT; May 3, 2011). The album was sparked in Accra, Ghana yet forged in the African diaspora.

[soundcloud url=”http://soundcloud.com/embassymvmt/something-to-believe”]

Native Sun—as both musical journey and a striking short film—unfolds from a kaleidoscope of perspectives, with help from a Rwandan sweet soul singer (Corneille on the track “Best I Can”), from sleek Francophone sirens (Les Nubians on “Dear Africa”) and from Congolese and Brazilian samba-loving MCs (Baloji and BNegão on “Wahala”). Blitz even got a boost—including an invite to play at a packed Central Park SummerStage show—from Public Enemy’s Afrocentric thinker and rapper Chuck D himself (whose shout outs grace “Oracle”).

[youtube=http://www.youtube.com/watch?v=TGr0noSzaRA]

REVIEW

Various Artists

Le Pop Volume 6

The last decade has seen the rise of French electronica and disco: one doesn’t have to try hard to conjure up their favorite dance groups or DJs like Daft Punk, Dimitri From Paris or Air. The French may have become synonymous with thumping beats but there’s a whole other French sound that has been equally fruitful, the chanson Française. This is not the French music your beatnik parents grew up with though. The sixth incarnation of the French compilation “Le Pop” shows just how far and wide the French song has come with sixteen tracks from across the French diaspora, from Paris to Louisiana. There’s an uptempo and feel good vibe to the selection, with but a couple songs showing a more melancholic side (Fredda’s ‘Fenêtre À Collioure’ is one). For the most part it’s a sweet, sassy and wild ride in an open convertible with the tunes blasting.

La Patère’s ‘Chocolove’ is a whimsical, jaunty pop tune with sweet female vocals and banjo. Olivier Goulet’s ‘Alors Il Y’a La Lune’ is a smokey and vocal-driven song with Mali-esque blues guitar. Caracol’s ‘L’amour Est Un Tricheur’ is a catchy reggae-blues track with chocolate-rich female vocals. Jérôme Minière’s ‘Avril’ is a sensuous male-female duo that reminds me of Thievery Corporation’s ‘Lebanese Blonde’. Féloche’s ‘La Vie Cajun’ is the most “urban” song here, a scratch-laden and swamp-infused track with a dash of masala. Emmanuelle Seigner’s ‘Dingue’ is one of the collections more infectious songs with upfront vocals and a memorable chorus.

If there’s one influence that permeates “Le Pop 6” it would be Manu Chao: you might not be able to pinpoint it but you can feel his influence. Of course there’s also a smattering of Serge Gainsbourg, Django Reinhardt et al. If you’ve been sucked into the vortex of French dance music and want a breath of fresh pop-vocal air, “Le Pop 6” is a welcome treat of French chanson. And don’t worry about the words, you’ll still find yourself humming these songs. –John C. Tripp

Tracklisting and videos at the break