[iframe width=”100%” height=”480″ scrolling=”yes” src=”http://www.telegraph.co.uk/culture/music/music-news/9640739/Singer-Terry-Callier-dies-aged-67.html”]. //www.mixcloud.com/widget/iframe/?feed=http%3A%2F%2Fwww.mixcloud.com%2Fsoulsearching_michaelruetten%2Fsoulsearching-666-rip-terry-callier-joe-davis-far-out-mixtape%2F&embed_uuid=2f281f8b-1e54-4159-9929-6412bda72d7c&stylecolor=&embed_type=widget_standard Soulsearching 666 – R.I.P. Terry Callier / Joe Davis Far Out mixtape […]

Two legends of guitar come together for an album of ATMOSPHERIC Brazilian-jazz

Undoubtedly, Bill Frisell and Vinicius Cantuária’s new album, Lagrimas Mexicanas, epitomizes a union of extraordinary musicians. Frisell’s and Cantuária’s own music have clearly distinctive origins, but with complimentary styles. Through the blending of emotive rhythms and harmonies, and the melding of classic and experimental sounds, the two artists have found an easy home with one another. Lagrimas Mexicanas is on Entertainment One Music.

As a guitarist, composer, and bandleader, Bill Frisell has established himself as a visionary presence in American music, best known for his innovative and improvisational guitar playing. Brazilian singer-songwriter, guitarist and percussionist, Vinicius Cantuária flawlessly merges the classic sounds of bossa nova with contemporary music, creating distinctive compositions and arrangements.Having played together in a variety of settings over the past 25 years, including on one another’s albums, Frisell and Cantuária had been looking for the right opportunity for a full-on collaboration. Lagrimas Mexicanas presented itself as the perfect occasion.

Transnational Dubstep is the first major compilation to document the fusion of dubstep and global roots music.

Free Track & Minimix

[soundcloud width=”100%” height=”81″ params=”” url=”http://api.soundcloud.com/tracks/8128580″] Generation Bass Presents Transnational Dubstep Compilation Promo (Excerpt/Taster Mix) – 1 FEB 2011 by djumb

Transnational Dubstep is the first major compilation to document the fusion of dubstep and global roots music. It has been conceptualized & compiled by co-owner/editor & the driving force behind the Generation Bass blog, DJ UMB in cooperation with Six Degrees Records. The record pulls together some of the most exciting new producers in electronic music who are incorporating sounds from around the planet with the bass bin shaking thump of dubstep.

By utilizing influences from Cumbia to Balkan- Chinese to Indian- Middle Eastern to Japanese- the songs on this unique collection represent the cutting edge vanguard of a whole new electronic sub-genre that is ready to capture the ears and imaginations of listeners world-wide.

DJ Umb and his partner Vincent Koreman (co-owner/editor & founder of the blog) had the arduous task of choosing from over 300 tracks locked inside DJ Umb’s Transnational Dubstep vault. The pair narrowed the tracks down to 30 for licensing and then Umb finalized the selection and sequencing.

Free track at end of story

 

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A hearty and COMFY afternoon lunch at New York City’s M. Wells Diner

It could be one of the many roadside diners in slow, inevitable decay along the less traveled, small town roadways of upstate New York.  M. Wells Diner just happens to be in Hunter’s Point, an industrial and rather bleak section of Long Island City. A world apart from the shiny new high-rises of Long Island City’s waterfront and Manhattan.

“Lifeboats and Follies” OUT FEBRUARY 1, 2011 ON GALAXIA RECORDS.

Raised on the colorful and gritty streets of San Francisco and steeped in the dark
brew formed by the perfect cultural storm where skateboarding, music and art
smashed right into each other, Tommy Guerrero was destined for greatness of
the soulful sort. Adapting to his hilly local environs with speed and style, TG was
a bonafied pioneer of modern street skateboarding, turning pro and traveling the world while still just a teenager.

His casual flow was material for the skateboarding pantheon, and is endlessly
compared to what would come out when he focused his attention on stringed
things. The early four-track tunes he offered were heavily groove-based, with
obvious blues, Latin and soul overtones, but as time and albums went by the
music became more layered and eclectic, incorporating jazz, hip-hop and funk
elements, as well.