New York, November 3, 2011 – Brice Rosenbloom of BOOM Collective (formerly boomBOOM Presents) is proud to announce the 2011 NYC WINTER JAZZFEST lineup.  The festival is to be held on January 7th & 8th, 2011 in New York City.  The NYC Winter Jazzfest will take over threeWest Village venues, (le) Poisson Rouge, Kenny’s Castaways and Zinc Bar on Friday January 7th, and five venues, (le) Poisson Rouge, Kenny’s Castaways, Zinc Bar, Sullivan Hall, and Bitter End on Saturday January 8th.  This marks the seventh year of the annual NYC WINTER JAZZFEST, and our continued mission to showcase top quality jazz and experimental music.

Abacus, LAL, and Ivana Santilli. In the process, Moonstarr has gained worldwide acclaim for his music from veteran DJs such as Gilles Peterson, Rainer Truby, Laurent Garnier, Marc Mac, Derrick May, and DJ Spinna and from various publications like Straight No Chaser, XLR8R, Montreal Gazette and Exclaim, and has scored for the cult hit film Next: A Primer On Urban Painting.

Digging through dusty boxes of old cassette tapes, floppies and DATs, Moonstarr decided to compile some unreleased and classic joints from The Archive. This nostalgic look back reveals signature vinyl-only dancefloor jams praised by DJs and tastemakers the world over, as well as unreleased joints that are just now escaping Moonstarr’s studio walls.

As a poet and performance artist, Ursula Rucker has enchanted critics and fans across the globe with her diverse repertoire, captivating vocals and accessible poetic verse.

Born and raised in Philadelphia, she began documenting her observations of the world when she was just a girl. A graduate of Temple University’s journalism program, Ursula kept her creative writing as a prized, personal possession until she was prepared to share with the world. In 1994, she introduced an open-mic night audience at Philadelphia’s Zanzibar Blue to the beauty and urgency of her poetry.

Word quickly spread throughout the city of Ursula’s poetry and stage performance, which has been described as “strong, vulnerable, wounded and raging.” Producer King Britt invited her to create her first recording, the 1994 single, “Supernatural” (Ovum/Slip N Slide UK).

Fort Knox Recordings is proud to present Sabor Tropical, (out January 11, 2011) the debut album from the Empresarios. The band was originally introduced on the 2009 label compilation The New Gold Standard 2, with infectious tunes that just begged to be remixed and reworked. The Empresarios are the first new artist to release their own full length album on the ever-growing Fort Knox roster.

With Sabor Tropical, they have set the bar very high for the new generation of artists to follow. From the opening track on Sabor Tropical, you already know you’re in for a diverse ride of styles. The album smoothly combines latin funk, cumbia, dub and reggaeton on a grooveoriented tip, perfectly balancing beats for both the headphones and dancefloor.


By John C. Tripp

As Ocote Soul Sounds, Adrian Quesada and Martin Perna, respective bandleaders of famed ensembles Grupo Fantasma and Antibalas create desert- and sun-soaked psychedelic funk that entwines the grit and funk of the gridlocked NYC streets, with the voices and rhythms of the dusty streets of Latin America.

On “Coconut Rock” their third album, the slipped effortlessly into their trademark psychedelic afro-latin funk groove. From the Latin breakbeat rhythms of album lead-off ‘The Revolt of the Cockroach People’ to the cumbia bounce of ‘Tu Fin, Mi Comienzo’ to the easy guitar soundscapes of ‘Vendendo Saude e Fe’ featuring Brazilian songstress Tita Lima, ‘Coconut Rock’ is the third chapter in Ocote Soul Sounds’ unparalleled journey through sonic realms beyond.

The duo of Perna and Quesada developed their musical paths in eerily similar parallel universes. Though Quesada grew up in the Texas border-town of Laredo, and Perna came up in Philadelphia (later New York), both musicians straddled borders literally and artistically. Growing up on hip hop and the jazz and funk it was built on; both taught themselves to play multiple instruments; both had founded game-changing, booty-shaking big bands; and both were deeply moved by a powerful spirit of social and political activism, the spirit that was to become Ocote.

A chance biodiesel breakdown, which left Martin stranded in Austin, led to the two playing around with some song ideas together, hitting the studio and ultimately resulted in their 2005 debut ‘El Nino Y El Sol’. Four years and three albums down the line, they have evolved into a seven-piece live outfit.